Bonnard信息详情
勃纳尔（人名）
bonded labor───抵债劳工（指被雇主或债权人强迫劳动以偿还债务的工人）；抵债劳动（指被雇主或债权人强迫劳动以偿还债务）
bubonic plaque───腺鼠疫
broken bone───骨折；断骨
decarbonization usa───美国脱碳
pelvis bone───骨盆骨
bondsman near me 06082───我附近的担保人06082
bondar law───邦达定律
carbonation inflation deluxe───碳化膨胀豪华型
bonfires la───洛杉矶篝火
bonaparte aide───波拿巴助手
of the romantic artist in a garret about Bonnard. He appeared to live a bourgeois life.───无忧的浪漫艺术家，仅过着中产阶级的生活。
I HAVE all my subjects to hand", Pierre Bonnard, a French post-impressionist painter, once wrote.───我手头上有全部素材”，法国后印象主义画家皮埃尔·波纳尔曾经写到。
In love one has need of being believe in, in friendship of being understood. -abel Bonnard.───在爱情上人们需要的是信任，在友情上人们需要的是理解。——埃布尔·伯纳德。
Pierre Bonnard was born into the family of a well-to-do official of the War Ministry, who wanted his son to become a lawyer.───彼埃尔·博纳尔出生于一个富裕的“作战部”官员的家庭，他家希望儿子当一名律师。
In his old age, Bonnard returned to a youthful exuberance of dazzlIng light and colour, producIng compositions of exquisite taste.───博纳尔在他的晚年又恢复了充满耀眼光线和色彩的青春活力，创作出格调高雅的作品。
In any case, Bonnard painted many fine landscapes after this, and a number of much-loved bathers. Where are they?───无论如何，博纳尔在此之后还创作了不少风景画，很多惹人喜爱的游泳者，它们存放在哪里呢？
By the late 1890s Bonnard's artistic idiom began to assume new features.───到1890年代后期，博纳尔的艺术风格开始呈现出新的面貌。
There was nothing of the romantic artist in a garret about Bonnard.───博纳尔并非那种阁楼浪漫艺术家，他生活得还有几分庸俗。
In love one has need of being believe, in friendship of being understood. ---Abel Bonnard, French poet.───爱情需要信任，友情需要理解。---阿贝尔.伯纳德，法国诗人。
You can get a fine Bonnard print for ￡2,500; a Pissarro for less than ￡7,000.
Shunning law - lessons, Bonnard attended the Academic Julian and in 1888 entered the Ecole des Beaux - Arts.
When he began to paint, during the Occupation, he had looked to Matisse and Bonnard.
"Gypsy Dancing, " a dim sepia 1901 photograph by the painter Pierre Bonnard — remarkable just because of who took the picture — catches the easy arc of a dancer's arm.
In October 1888 Bonnard joined up with Vuillard, Roussel, Denis , who called themselves the Nabis.
Traditional art history would include Bonnard for his technical innovations and largely marginalise Rodchenko for his politics and photography.
Sir Bryan himself had broken the news to Stephen Bonnard.
Neither Vuillard nor Bonnard, with whom he shared a studio, actually copied photographs in their resonant, small-scale paintings of domestic interiors.