Vedic信息详情
adj.与吠陀有关的；吠陀文学的
n.吠陀梵语
n.（Vedic）（印）菲迪克（人名）
Theosophy, an approach to transform vedic knowledge into western thinking.───接神论，是将吠陀知识转换成西方思想的一条途径。
The Vedic calendar is based on cosmic cycles, or Yugas.───吠陀历法是建立在宇宙周期，或者说是年代之上。
Vedic Mantras are chanted according to the intonation given in the Vedas.───吠陀颂歌是根据《吠陀经》中给出的语调唱诵的。
At the beginning of every cycle of creation, God himself "remembers" the order of the Vedic words and propagates them through the rishis.───在每个创世周期的开始之际，神自己“记起”吠陀梵语词语的顺序，通过圣哲去传播它们。
In such a simple and crude manner did the theatre originate in India nearly 4000 years back in the tribal Aryans of Rig Vedic times.───戏剧的这样一种简朴和粗糙的方式是源自几乎4000年以前，雅利安部族的《梨俱吠陀》时期。
Our front door would be locked, the meeting room in darkness, the watchword a Vedic mantra, our talk in whispers.───房子的前门上了锁，会议室一片黑暗，口令是一句《吠陀》经文，谈话声很低。
Although goddesses had always been worshiped in local and popular cults, they play comparatively minor roles in Vedic religion.───尽管女神通常在地方和通俗的祭礼上受到崇拜，她们在吠陀宗教里面却扮演着相对次要的角色。
The origin of the Indian theatre or rather folk theatre and dramatics can be traced to religious ritualism of the Vedic Aryans.───印度戏剧，更准确来说，是民间戏剧可以追溯到吠陀——雅利安时代的宗教仪式。
The Vedic heaven, the "world of the fathers, " resembled the Germanic Valhalla and seems also to be an Indo-European inheritance.───吠陀的天堂，“父亲们的世界”，类似于德国的瓦尔哈拉殿堂，看上去也是印欧人的遗产。
Sanskrit verses used in the Vedic sacrifice are known as mantras.
The Vedic grama could have a pur, or a fort - like structure within it.
The Vedic village had certain distinct characteristics that influenced subsequent architectural production.
The solar cult had Vedic roots but later may have expanded under Iranian influence.
The Vedic god Rudra gained in importance from the end of the Rigvedic period.
The earliest form of Indic was Vedic Sanskrit which, like Avestan, was an ancient liturgical language.
Legend has it that the Vedic civilisation was highly advanced.
In Vedic times, Indra was the supreme ruler of the gods.
O Arjuna, the Vedic scriptures deal with subjects in the three modes of the material nature.